By
Etan Ben-Ami
Piece description from the artist
I wanted to capture the sense of fatal abandon described by the title saying, which typifies autumn. To do I took two pictures. One was of a leaf that had turned colors and was on its way to rot. The other was of the leaf and its surroundings using a technique called intentional camera movement. My 'wind' is lens movement during the exposure. I layered several copies of the leaf image over the 'windy' image background — and there you have it. I hope you are as pleased as I am.
Etan Ben-Ami is a semi-retired psychotherapist and full-time lens-based artist. He has crammed several careers into his life.
He began exploring New York's art museums and galleries from his early teen years. In the early 1980s, he became interested in holography and high-resolution computer graphics. He helped holographer Jody Burns with computer software to pre-visualize holographic exposures used in creating holograms designed by Israeli artist Agam.
His interest then turned to the New York poetry scene. He studied with Alice Notley, among others. He co-edited and produced the local 'Cheap Review of Poetry' in part as a challenge to the increasingly stifling professionalism in poetry and the arts.
In his sixties, he has renewed his interest in visual arts, especially abstract and expressionist photography. He is a member of Brooklyn Artists Waterfront Coalition.
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