Piece description from the artist
During the spring and summer of 2020, before the Covid vaccine was available, I had almost no work. So I wandered the streets of Boston, Brookline, and Cambridge, taking closeups of flowers and emailing them as "Flower of the Day" to friends and colleagues.
There are at least four seasonal plantings in the Public Garden, mostly identical from year to year. I'd never paid much attention to the Canna Lily plantings, but I was on the lookout that year. I was intrigued by the variety of colors and textures illuminated by the early morning light.
I've also rendered them in black and white which helps to bring out the graphic qualities of the plants.
Merrill Shea began his artistic career as a classical musician and then gradually migrated toward the visual arts. He has worked as a free-lance photographer in the commercial, non-profit and academic worlds throughout Eastern Massachusetts for over twenty-five years. He is entirely self-taught.
Merrill spends at least one month every year traveling primarily throughout New England and the Pacific Northwest. While his oeuvre includes urban imagery, his primary inspiration comes from the natural world. His TurningArt offerings represent a selection from his personal projects, which range from intimate and panoramic seascapes to interpreting the oldest living things on earth: the fantastically gnarled bristlecone pine trees that survive at twelve thousand feet above sea level.
Merrill continues to explore the varieties of color, graphics and texture that are possible within the photographic medium. Like many photographers, he has been influenced by the iconic black and white nature photography of Ansel Adams. In that regard, he has included identical images which he feels are effective both in color and black and white.
Merrill has always been fascinated with the medium of watercolor and has recently been exploring the possibilities of using various computer techniques to produce watercolor-like images from photographs that, in many cases, are indistinguishable from true watercolors.
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