Piece description from the artist
A few years ago on a trip to Spain, I came upon an old accordionist in the ancient section of Madrid, the sound echoed sweetly off of the brick street and walls. Ten years ago, my Father gave me his old accordion. I decided to pose with my Father’s chromatic accordion and combine these two memories to make this painting. The theme of the work is Chromatic. Chromatic is defined as relating to or being highly colored. As a musician, I also know that chromatic is also a twelve note scale. I am playfully incorporating these definitions together in this painting.
I have a painter friend that, when he goes out painting, says “I’m going to steal some landscape”. An ironic take on the idea of making the image your own. Have you ever heard that in some cultures there is the belief that representations or photos actually steal the soul from the subject? Sounds pretty far out there? Somewhat crazy in this modern age? Have you ever wondered where this belief comes from?
The idea that a representation of something actually contains the Spirit or Soul (at least in some degree) of the subject is wide-spread. Even to the point that some religions will not allow images of God for fear that the congregation will worship the image and not the God. Other religions encourage depictions of the Spirit or God for precisely the opposite reason, to have the viewers feel a sense of Holiness. This is what an icon is. A representation of God that is transparent enough, metaphorically speaking, that the viewer feels a sense of the Spirit in it.
Does it work? Have you ever stood in front of great religious art or architecture and felt the sense of the Spirit? Been moved by it? Have you ever been out in Nature and felt the same Spirit… That of God in Nature?
This is what I am feeling when I paint nature.
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