Piece description from the artist
My girlfriend and I were exploring the Rocky Mountain foothills, a region that has a long history of mining, hoping to add images to my ongoing project I call "Remnants of Hope". Abandoned mining buildings certainly fall into this category!
We had wandered around a few sites earlier in the day, but none of them really "spoke" to me. We had been driving for a couple of hours through woods, having given up hope of coming across anything interesting, when this scene appeared through a gap in the trees.
Perhaps you could say that the tumbledown livestock shelter is a remnant of hope, but I wasn't reacting to that. The vastness of the landscape, that tiny crumbling structure. Likely, it's nothing unusual to a Westerner, but we New Englanders rarely experience vistas like this. At the risk of sounding corny, it made me aware of how small we are in the grand scheme of things.
Merrill Shea began his artistic career as a classical musician and then gradually migrated toward the visual arts. He has worked as a free-lance photographer in the commercial, non-profit and academic worlds throughout Eastern Massachusetts for over twenty-five years. He is entirely self-taught.
Merrill spends at least one month every year traveling primarily throughout New England and the Pacific Northwest. While his oeuvre includes urban imagery, his primary inspiration comes from the natural world. His TurningArt offerings represent a selection from his personal projects, which range from intimate and panoramic seascapes to interpreting the oldest living things on earth: the fantastically gnarled bristlecone pine trees that survive at twelve thousand feet above sea level.
Merrill continues to explore the varieties of color, graphics and texture that are possible within the photographic medium. Like many photographers, he has been influenced by the iconic black and white nature photography of Ansel Adams. In that regard, he has included identical images which he feels are effective both in color and black and white.
Merrill has always been fascinated with the medium of watercolor and has recently been exploring the possibilities of using various computer techniques to produce watercolor-like images from photographs that, in many cases, are indistinguishable from true watercolors.
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