By
Merrill Shea
Piece description from the artist
Boston has seen precious little in the way of snow during recent winters. So when we do get a storm, I'll often wander around looking for scenes that include people, and the Common and Public Garden are good hunting grounds!
This was a particularly good evening, because the colored holiday lights on the trees were still lit up.
The Brewer Fountain in the Common is a particular favorite of mine, as it provides a perfect foreground framing device for the Massachusetts State House. Out of 200+ photos that I took during the thirty minutes that I stood there, this one appealed to me the most.
I call this a photo-watercolor hybrid because it was a photograph which I then reworked in the computer, using various techniques, to produce a watercolor-like image, including the paper texture. In many ways, I think it's the best of both worlds.
Merrill Shea began his artistic career as a classical musician and then gradually migrated toward the visual arts. He has worked as a free-lance photographer in the commercial, non-profit and academic worlds throughout Eastern Massachusetts for over twenty-five years. He is entirely self-taught.
Merrill spends at least one month every year traveling primarily throughout New England and the Pacific Northwest. While his oeuvre includes urban imagery, his primary inspiration comes from the natural world. His TurningArt offerings represent a selection from his personal projects, which range from intimate and panoramic seascapes to interpreting the oldest living things on earth: the fantastically gnarled bristlecone pine trees that survive at twelve thousand feet above sea level.
Merrill continues to explore the varieties of color, graphics and texture that are possible within the photographic medium. Like many photographers, he has been influenced by the iconic black and white nature photography of Ansel Adams. In that regard, he has included identical images which he feels are effective both in color and black and white.
Merrill has always been fascinated with the medium of watercolor and has recently been exploring the possibilities of using various computer techniques to produce watercolor-like images from photographs that, in many cases, are indistinguishable from true watercolors.
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