Dreamed Grove #2

Piece description from the artist

This is the second of a three-image series of perhaps my all-time favorite grove of trees. It is on the slopes of Mt. Tamalpais, just north of San Francisco. I have visited it countless times over the years. It can be sunny a few hundred feet lower, but halfway up, the mountain is usually draped in fog until late morning. The wind whips the fog, revealing new vistas every few seconds. Many have been the times when I've had to force myself to move on after an hour's worth of shooting. Even then, I have had been faced with over three hundred images from which to choose.

Other works by Merrill Shea

About Merrill Shea

Brookline, MA

Merrill Shea began his artistic career as a classical musician and then gradually migrated toward the visual arts. He has worked as a free-lance photographer in the commercial, non-profit and academic worlds throughout Eastern Massachusetts for over twenty-five years. He is entirely self-taught.

Merrill spends at least one month every year traveling primarily throughout New England and the Pacific Northwest. While his oeuvre includes urban imagery, his primary inspiration comes from the natural world. His TurningArt offerings represent a selection from his personal projects, which range from intimate and panoramic seascapes to interpreting the oldest living things on earth: the fantastically gnarled bristlecone pine trees that survive at twelve thousand feet above sea level.

Merrill continues to explore the varieties of color, graphics and texture that are possible within the photographic medium. Like many photographers, he has been influenced by the iconic black and white nature photography of Ansel Adams. In that regard, he has included identical images which he feels are effective both in color and black and white.

Merrill has always been fascinated with the medium of watercolor and has recently been exploring the possibilities of using various computer techniques to produce watercolor-like images from photographs that, in many cases, are indistinguishable from true watercolors.

See Merrill's portfolio here
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