Piece description from the artist
Original is sold. Tree of Life No 6. This is number 6 in my tree of life series of paintings exploring trees as symbols of interdependence and relatedness. In some of these works the tree is a symbol for relatedness. For example, the common genetic heritage of life on earth is the theme of Tree of Life Number 6. In other painting in the series the role of trees as ecological regulators, maintaining the interconnected fabric of life, is explored. The effects of ecological stresses that threaten that fabric are also examined.
Tree of Life 6 uses a loose double helical motif, symbolizing DNA and our common biochemical heritage. The extruded double helical strands converge to make the tree trunk and branches.
The style of Tree of Life 6 is intensely textural. The flatter areas of paint in the background were created using layers of poured and swirled transparent – translucent paint and media. this creates a depth to the paint film and a feeling of colors encased in resinous film. Texture gels were used to create the basic tree shape, which was finished with layers of extruded ridged threads of tinted transparent medium. Glass lenses and mosaic glass pieces are embedded in the tree and adhered to parts of the background. These glass pieces make the work more “active” and responsive to light.
This is a TurningArt exclusive limited edition print available in editions of 100.
Dr. Regina Valluzzi has an extensive scientific background in nanotechnology and biophysics. She has been a scientist in the chemical industry, a green chemistry researcher, a research professor at the engineering school at Tufts, a start-up founder engaged in technology commercialization, and a start-up and commercialization consultant.
Even during periods of intense activity as a scientist, Dr. Valluzzi has always held a strong interest in the visual arts and in visual information. While she majored in Materials Science at MIT, she also obtained a second degree in music and a minor in visual studies. Visual arts have managed to permeate her technical work; during her Ph.D in Polymer Science and Engineering at UMass Amherst, she completed a thesis that required advanced electron microscopy, image analysis, and theoretical data modeling. These experiences provided the visual insight and information that now influences much of her artwork.
Dr. Valluzzi’s work has been included in private collections across the US, UK, Germany, Canada, Japan, Netherlands, Switzerland, Bulgaria, Dubai and Malta, and in the corporate collection of "Seyfarth Shaw" Boston law offices around Boston. She has a selection of pieces on loan to the MIT Materials Science and Engineering Department as indoor public art. Her accomplishments include having published thirty articles in peer-reviewed scientific journals, having made several scientific patents, having been a subject matter expert for an encyclopedia chapter, and having been invited to speak at science talks across the US, Europe, and Japan.
Her newsletter is a good source of ongoing information: http://eepurl.com/daiLQ
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