Piece description from the artist
One of the benefits (can you call it that?) of the old, relatively uninsulated windows in our house is that when it gets really cold outside, in the morning, we get this really cool window frost. The crystals form fascinating intricate fractals patterns all over the glass. This is image started as a simple macro photograph of a small section of frost. I loved the cross or star pattern it created.
Since I had to crop the image quite a bit to get this framing, I first ran the image through On1 Perfect Resize in Photoshop to enlarge the image to a workable (and printable!) size. Now this doubled the size, so I lost a bunch of detail and sharpness – something you need to be aware of when upsizing any photo. I knew when I started processing I was going to go with an impressionistic look so the lack of sharpness was not really going to be a problem.
The removing of unwanted/unnecessary elements and spots/sensor dust came next. I call this border patrol and it's a good idea to do this a couple of times, especially at the end of processing. After exposure, levels, curves, and color-correction, I then added some texture (I think it was 3 or 4 textures) using a Photoshop CC extension called Adobe Paper Texture Pro. Awesome, awesome tool! You need to get it – and it's free.
Finally, I combined three different iterations of Topaz Impression to create the look I wanted. Combining different factory and my own presets, blending with layer masks and blending modes is great way to get a unique look that doesn't look "out-of-the-box". Of course, I did one more border patrol pass and then saved the final "Ice Crossing" image.
Please let me know if you have any questions or comments!
Day 102 of 365
Copyright 2016 Scott Norris Photography
www.scottnorrisphotography.com
Emotion. Mood. Feelings. This is what I capture through my photographs. Whether it is landscapes, architectural elements, still life, or macros – it is a very personal journey as my own fears, triumphs, beliefs, and shortcomings are exposed with each photo.
Much of what I shoot is done spontaneously without preconceived thought or plan. I let what is around me dictate what is photographed.
And the shooting is only the first step – a jumping off point. I take the raw images and create what I see in my mind’s eye. Coaxing out textures present in the shot – sometimes adding them. Enhancing the contrast of light and dark to create the mood and emotions I felt and feel. In the end, it’s all about listening to my heart and mind and creating a visual representation of what I feel the moment the shutter is released.
I'm a native Texan currently living in Milwaukee, Wisconsin with my lovely wife and son.
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