Room Deconstructed #3

Piece description from the artist

The series of 4 collages Room Deconstructed is based on a black and white painting titled, Room made during a period of lockdown and isolation during the recent pandemic.
The strategy or anti-strategy transforms the original closed composition by dividing it horizontally and vertically into 4 equal parts. The series is intended to be viewed as a group in ascending numeric order and to be reproduced in varying scales.
In this sense the artist explores his interest in modular formats.
The act of dividing and multiplying is in itself is an act of creation and metamorphosis. With the addition of one color, a seductive turquoise, the artist Peter Ivanoff has created 4 unique and elegant works.

Other works by Peter Ivanoff

About Peter Ivanoff

Palo Alto, CA

Peter Ivanoff spent most of his professional life, initially as an art director in advertising, then as a concept artist and designer
for advertising and marketing. In addition to making a living as a commercial artist,
throughout his career he has maintained a studio practice.
As a architecture student he was introduced to painting by the artist Gilbert Steed, (a color consultant for Bocour paints and a student of Hans Hoffman). He studied and was introduced to European Modernism by the photographer and painter, John Guttman, (a student of Otto Mueller) at SFSU. He also studied Life Drawing and Anatomy at the Art Student's League.
He earned his B.A. from SSU and an M.F.A from MICA (a highlight of which was his association with the late Salvatore Scarpitta). Currently, he lives and works in Palo Alto, CA.

A native of Wales, California-based artist Peter Ivanoff’s sculpture is all about going places. Crutches, ladders, plumbing fixtures, discarded furniture, and wheels deliver the message in his objects and installations. Driving this narrative, Ivanoff’s interest is in
our relationship with technology.

After the recent and ongoing wildfires, political turmoil and other disasters, his recent drawings, collages, and paintings have taken on an environmental and political shift. In these troubled times Ivanoff is presenting a much darker impression of California than for example, the artists David Hockney or Wayne Thiebaud.

Ivanoff’s techniques are purposely simple; collages are black India ink cut-outs
on Bristol and the paintings and works on paper are painted in acrylic.

See Peter's portfolio here
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