Piece description from the artist
The artist Peter Ivanoff is fascinated with time and space. His approach to art is at once in synch with the past and connected to the modern world. Ivanoff work mines ancient history but he also re-interprets some of his own works. The work, Untitled, Surveillance is one such example. It gleans some elements from his early figurative drawings in which diffused figures occupy virtual (Al Held like) rectilinear spaces. Some elements in Untitled, Surveillance can be describes as lenticular, cellular, or sausage-like, while others, rectilinear and mechanical. From a formal perspective the work Untitled, Surveillance is not just about the relationship between the organic and geometric. For example the use of color has a meaningful symbolic and spiritual significance for Ivanoff. It is often the task of the artist to unite contradictory concepts in unique and meaningful ways. With this end in mind, in Untitled, Surveillance, the artist Peter Ivanoff has achieved a work that is aesthetically unified as well as reductively sophisticated.
Peter Ivanoff spent most of his professional life, initially as an art director in advertising, then as a concept artist and designer
for advertising and marketing. In addition to making a living as a commercial artist,
throughout his career he has maintained a studio practice.
As a architecture student he was introduced to painting by the artist Gilbert Steed, (a color consultant for Bocour paints and a student of Hans Hoffman). He studied and was introduced to European Modernism by the photographer and painter, John Guttman, (a student of Otto Mueller) at SFSU. He also studied Life Drawing and Anatomy at the Art Student's League.
He earned his B.A. from SSU and an M.F.A from MICA (a highlight of which was his association with the late Salvatore Scarpitta). Currently, he lives and works in Palo Alto, CA.
A native of Wales, California-based artist Peter Ivanoff’s sculpture is all about going places. Crutches, ladders, plumbing fixtures, discarded furniture, and wheels deliver the message in his objects and installations. Driving this narrative, Ivanoff’s interest is in
our relationship with technology.
After the recent and ongoing wildfires, political turmoil and other disasters, his recent drawings, collages, and paintings have taken on an environmental and political shift. In these troubled times Ivanoff is presenting a much darker impression of California than for example, the artists David Hockney or Wayne Thiebaud.
Ivanoff’s techniques are purposely simple; collages are black India ink cut-outs
on Bristol and the paintings and works on paper are painted in acrylic.
An Art Advisor will get in touch with you today to schedule a free consultation to discuss your artwork needs.
Get Started
By
